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Hiral and Sunit’s South Asian Indian Wedding at The Westin Washington Dulles Airport | Northern Virginia Wedding Photographers

It was over lunch that I first fell in love will Hiral, it was soon realized that the feeling was that of a mutual one! To be honest I don’t even know how much wedding talk actually occured at the time other that Hiral being able to ensure that there were not horns or anything growing from my head. We had such a great time discussing things we both were passionate about to include her profession and our mutual understanding and love for what she brings to humanity itself. There are some people that the moment you meet them radiate this joy and beauty and after just a few exchange of words and the soft gentle laughter followed by a reciprocated kind smile exudes the beauty throughout a persons soul, this defines “Hiral”, let’s just say there is no guessing why Sunit fell head over heels for her. During their engagement session no matter how frozen we all were there was a warmth that wrapped around them both, it was intoxicating.

 

Hiral and Sumit's Engagement Photo

 

For those unfamiliar Hiral and Sunit were married in a traditional Gujarati style at the The Westin Washington Dulles Airport in Herndon and I thought it would be nice to share a bit of information/explanation of some of the images since even though it is a Hindu ceremony, there are a bit of things that vary from region to region in India between the customs performed:

This ceremony is the formal acceptance of and announcement of marriage between both the families, it is known as the chandlo maatli. In this ceremony bride’s father along with four male relatives visit the groom’s place with maatli, which is a steel container full of sweets and gifts for the groom and his family and apply chandlo, this is a red circle made at the center of the forehead and gives him their blessings, traditionally in the past at this time the marriage date is usually fixed.

The engagement ceremony of the Gujarati couple is known as gol dhana, which means coriander seeds and jaggery. During the engagement both are typically present and handed out to all in attendance. The engagement function generally is held at the groom’s home. The bride’s family and relatives arrive at groom’s home with gifts and sweets, where they then exchange rings and accept each other as their future partners, the two then take the promise to be always together. The couple get blessings from both the families, followed by the groom’s family showering the bride with dresses, gold, gifts and sweets.

Ganesha Sthapan also known as Ganesha Maatli or Ganesh Pooja is the beginning of the wedding ceremony and rituals and is typically for all Hindu’s one of the first pooja’s performed as it is said Lord Ganesha is the remover of all obstacles. Lord Ganesha is considered as the God of Luck, Wisdom and Peace. Both the families will generally conduct the Ganesh Pooja at their home few days before the wedding praying for their children’s happy and successful married life.

In all Indian weddings not just Gujarati weddings mehendi plays a very major role. This is a much awaited ritual for the bride, and in today’s modern world the one time she will have it adorn her to the fullest on her forearms, hands, feet and extend up her shins and calves. Generally this is done two days prior to the start of her wedding functions. All friends and relatives are invited to the bride’s home to share in the applying of mehendi prior to the start of the formal festivities. Females mostly of the bride’s family sing folk songs and friends enjoys a little bit of dance and music however in today’s world it is not uncommon to see gents taking place in the fun as well!

Mandap mahurat has a religious significance in Gujarati weddings as they perform this ceremony as the parents of the couple seek the blessings of the Mother Earth granting permission to start the digging of the soil to erect the mandva or mandap, the structure in which the couple will wed under.

A griha shanti pooja ceremony arranged at groom’s home as well as bride’s home. This is conducted to seek the blessings of all the nine planets, it is traditionally required to be done at the respective homes immediately after the mandap mahurat.

Pitthi is a paste of sandalwood, turmeric, saffron, rosewater and perfume. Friends, family members and relatives apply this paste on the groom and bride’s faces and body, it is said that turmeric brings a healthy glow on the faces of the bride and groom.

The Garba, Sanji or Sangeet Sandhya is one of the most awaited traditions for all who will be attending the wedding. It is the first formal event when ladies and gents are able to dress up and formally congratulate the couple before the wedding takes place. This function is full of fun, dance, music and masti! The traditional garba dance of Gujarat takes place followed by dandia, when done properly this is a beautiful intricate dance with ornate wooden sticks adorned at time with beautiful ribbon. It is a great way for both the families to meet each other!

During the mameru or otherwise called mosaalu one or two days the wedding day a maternal uncle of bride will go to her home and give sweets, gifts such as a paanetar saree, jewelry and most importantly her choodo (bangles).

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

After the groom arrives at the marriage venue, gets off his horse takes the blessings of his soon to be mother in law by touching her feet, she will try to touch his nose, at this time the groom with his families assistance will try to avoid letting her have the upper hand. This playful ritual called jaan or ponkvu is mainly to remind the groom that they are giving their precious daughter to him and allows the family to see his humble and grateful nature.

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

Madhuparka is a ritual that includes the washing of the groom’s feet by the bride’s parents while sitting under the mandap, he is then offered milk and honey. Sometimes after this point is when at most of the Indian weddings the sister or a cousin sister of the bride begin the hiding of the groom’s shoes – the groom has to then get back his shoes back at the end of the day and for this he has to offer them a sum of money, which is agreeable to them. We have seen shoes go for $1200, yes twelve hundred dollars!!! during this process…. fellas it might be worth purchasing an extra pair 😉

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

The bride’s entrance is referred to as antarpaat – a maternal uncle called mama carries the bride to the mandap. There is a decorated fabric curtain known as antarpaat, which separates the bride and groom from seeing one another, to create a reveal, when it is lowered the couple place garlands around each other’s neck known as the jaimala ceremony.

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

Here is where the “tying of the knot” was derived from – it is called the hasta milap where the groom’s shawl is tied to the bride’s sari. The knot that is formed and the joining hands of the couple signify the togetherness of two souls joined together in holy matrimony. The priest chants mantras to summon the blessings of Goddess Lakshmi and Goddess Parvati for the saubhagyavrata or wife. Family and friends then come together to bless the couple and shower grains of rice and rose petals on them.

During what is called pheras the couple take turns leading around the sacred fire as the priest recites mantras. This signifies and expresses their heart’s desire as they seek the love and support of one another.

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

The wedding rituals are performed in front of a holy fire and conducted by the acharya, it is believed that fire intakes all bad evils. The rituals begin with the kanya daan where in the bride is given away by her parents. As a ritual and devout gesture the bride’s parents resist from eating to make themselves pure in body and mind for the occasion. Their folded hands during the kanya daan ceremony reflect the hope that their son-in-law will take good care of their daughter and never cause her pain. They wash his feet, as per the belief that he is none other than the Lord Vishnu, to whom they are handing over his rightful companion, the Goddess Laxmi in the form of their daughter.

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

 

Hiral and Sunit, Indian Wedding, Westin Dulles, Virginia

 

 

 

Wedding and Reception Venue: The Westin Washington Dulles Airport
Wedding Coordination: Dream Shaadi
Cinematography: Driver’s Side Films
Decor: Imperial Decorations
Caterer: Bollywood Bistro
DJ & Lighting: Live Sound Entertainment
Bridal Beauty: Caitlyn Meyer
Bridal Mehndi: Mehndi with Heena
Baarat: Harmon’s Carriages
Cake: Dulce Wida Cupcakes

Please check out their wedding featured on Maharani Weddings blog – Herndon, Virginia Indian Wedding by Regeti’s Photography

3 comments
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  • Hari PrasannaFebruary 6, 2016 - 3:52 am

    As usual, Great pictures !!!ReplyCancel

  • Imperial DécorFebruary 7, 2016 - 6:29 pm

    Lovely pictures!ReplyCancel

  • Kavita ShahFebruary 13, 2016 - 1:58 pm

    Very nice picturesReplyCancel

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That hug right before Alekhya walks out the door. This is Vidai — the moment a bride leaves her parents' home as a daughter and steps into her new life. I've photographed hundreds of these and they never get easier to watch. Look at her uncle's face in the background, trying so hard to hold it together. That's the whole wedding in one frame, honestly.

If you're planning a celebration with moments like this one, I'd love to be the one documenting them for you. Drop a comment or DM us to chat about your date.
That look she's giving him right there? That's not a 'pose for the camera' look. That's a 'I can't believe this is actually happening' look. We caught it walking down a path at the Sikh Foundation of Virginia, surrounded by trees, before all the ceremony chaos even started.

The details here are everything — his red turban matching her dupatta, that maroon stole with the tassels swinging as they walked, her nath catching the light. This is the kind of in-between moment we live for, the one nobody choreographs. Tell us in the comments what detail catches your eye first, and if you're planning a Sikh or Punjabi wedding, DM us — we'd love to talk through your day.
That half-second before the twirl settles — Alekhya's lehenga still mid-spin, and Amar just... watching her. Not posing, not performing for the camera. Just watching his new wife catch the evening light in red and gold.

This is why we always build in time for portraits. The ceremony is beautiful, but moments like this — quiet, unscripted, a little giddy. 

Planning a Sikh ceremony and want photos that feel like this? Drop a comment or DM us — we'd love to hear about your day.
There's a reason we always try to get this angle during an Anand Karaj — shooting from behind the Guru Granth Sahib, with the granthi in the frame, so you see exactly what the couple sees: the entire sangat, seated together, witnessing. Alekhya and Amar are mid-Laav here, the moment where the groom leads and the bride follows around the Guru Granth Sahib, four times, each round a vow. You can feel the room's attention even in a still photo.

This is why we love photographing Sikh weddings — the symbolism is so visual and so intentional. Thinking about a Sikh ceremony for your own wedding? Send us a DM, we'd love to talk through how we'd cover it.
Everyone faces forward during an Anand Karaj — toward the Guru Granth Sahib, toward the moment being witnessed — so some of the most beautiful details happen in the one direction no one else is looking. That embroidery on the back of Alekhya's lehenga? Most of the room never saw it like this. We did.

There's something about photographing from behind the couple during a Sikh ceremony — you catch the whole sangat, the colors, the stillness of people sitting shoulder to shoulder in prayer. It's a different kind of portrait. Quieter. Bigger than just the two of them.

Planning a Sikh or Punjabi wedding and want a team that knows the ceremony flow, not just the aesthetics? Drop a comment or DM us — let's talk.
This is the moment everyone's eyes skip right past because they're waiting for the big kiss or the garland exchange, won't be happening here folks!— but this is still the good stuff. The palla draped and placed in the bride's hand, her chuda bangles catching the light. It's such a small gesture, but it's literally the moment she takes hold of the journey they're starting together.

At Sikh ceremonies we always tell couples: don't rush the hands. The jewelry, the fabric, the grip — it all tells a story the wide shot can't. Alekhya and Amar's ceremony at the Sikh Foundation of Virginia was full of these in-between moments, and I'm so glad we caught this one.

Planning a Sikh or Punjabi ceremony and want a photographer who knows to watch for the small stuff? Drop a comment or send us a DM — we'd love to talk through your day.
Given that Alekhya's father is no longer with us, her mother instead gently places the other end of the Palla, into the cupped hands of the bride. Alekhya, eyes down, soaking in the quiet before everything became official, while her new father-in-law watched the whole thing unfold with the kind of smile you can't fake.

This is what we love about shooting Sikh ceremonies — the formality of the moment never erases the small, human gestures happening right alongside it. We're always watching for these in-between beats because years from now, this is the photo that gets pointed at first.

Want moments like this from your own ceremony? Drop a comment or send us a DM — we'd love to hear about your wedding.
There's a moment right before the words come out — eyes closed, hand lifted, like he's reaching for the note before it exists yet. This ragi was leading shabad kirtan at Alekhya and Amar's Sikh wedding ceremony, and I love how you can see the tabla player's hand already waiting, perfectly in sync, like they've done this a thousand times together (they probably have).

This is the part of a wedding day people don't always think to document — not the couple, not the decor, but the musicians who carry the entire spiritual weight of the ceremony on their voices. You can see decades of practice in that harmonium, worn smooth at the keys. That's not something you stage. That's something you notice.

If you're planning a Sikh ceremony and want a photographer who understands the significance of these quieter moments — not just the big ones — let's talk. Drop a comment or send us a DM.
That look. Right in the middle of the ceremony, surrounded by family, and Amar still can't help but grin at Alekhya like no one else is in the room. We caught this at the Sikh Foundation of Virginia, and moments like this are exactly why we never put the cameras down during the ceremony — the real stuff happens in the glances, not just the rituals.

Sikh wedding ceremonies have such a beautiful rhythm to them, the quiet focus, the hymns, and then these little bursts of pure joy between the couple. We live for catching both.

Planning a Sikh or Punjabi wedding and want a team that knows the flow of the ceremony? Drop us a comment or DM — let's talk.

#SouthAsianWeddings #IndianWeddings #WeddingPhotographersInVirginia #IndianWeddingPhotographersInVirginia #SikhWedding #PunjabiWedding #SouthAsianWedding #DesiWedding #IndianWeddingPhotography #RegetisPhotography #WeddingPhotography
This is the kind of moment you have to be watching for — not posed, not repeated. Amar kneeling before the Guru Granth Sahib, kirpan in hand, the whole room holding its breath for a second. The maroon turban against that cream sherwani, the flowers banking the altar like they're standing guard too.

These quiet, reverent seconds inside a Sikh ceremony are some of my favorite to photograph — there's so much weight and history in them that you can't fake. Planning a Sikh wedding and want someone who knows how to catch these moments without getting in the way? Send us a DM, we'd love to talk.
The room is empty, the guests haven't arrived yet, and these little gold baskets are already doing their job, hold the Karah Parshad which is handed out to attendees - it is much more than just a dessert; it embodies the core principles of Sikhism. This is the kind of detail I find myself photographing before anyone else even walks in — because the care put into a Sikh wedding goes so far beyond the ceremony itself. At the Sikh Foundation of Virginia, hospitality isn't an afterthought, it's woven into everything, right down to how the napkins are set out.

These are the moments that remind me why I show up early to every wedding. Want us there for yours from the very first detail? Send us a DM or book a consult — link in bio.
Before the shabad even starts, there's this moment of quiet — flowers arranged just so, everyone finding their seats, the whole room settling into what's about to happen. These blush roses were part of Alekhya and Amar's day at the Sikh Foundation of Virginia, and I always make a point to slow down and capture the details like this before the ceremony energy picks up. They matter just as much as the big moments.

If you're planning a Sikh ceremony and want a photographer who understands the flow of the Anand Karaj — from the quiet setup to the joy after — let's talk. Send us a DM or book a consultation through the link in our bio.
Some of my favorite frames from a wedding day aren't the big moments — they're the quiet textures in between. This soft white fringe falling across hand-embroidered paisley fabric, caught during Alekhya and Amar's Sikh ceremony, is the kind of detail most people don't really give a second thought too, Chaur Sahib, the ceremonial whisk. But it tells its own story: generations of craftsmanship, layers of tradition, and their Rumala Sahib, one of the little things that make their wedding day feel truly theirs.

If you're planning a wedding and want a photographer who notices the details as much as the big moments, let's chat — drop a comment or send us a DM!
I always tell couples — look up. The ceiling details at ceremonies like this one are never an afterthought, and this cluster of gold and pearl tassels hanging from the canopy at Alekhya and Amar's Sikh wedding was one of those small moments I couldn't walk past without photographing. Every strand catching the light a little differently, swaying so slightly you'd miss it if you weren't paying attention.

This is the kind of detail that gets lost in the rush of a wedding day but means everything when you look back years later and remember exactly where you were standing. Got a ceremony space full of details like this? Tell me about it in the comments, or DM me to chat about your date.
That moment right before the ceremony even starts, when two families fold into one. The dhol is still going in the background, the garlands haven't even settled yet, and these two are just... holding on. You can tell there is a bit of happiness in this union — this isn't a polite greeting, this is relief and joy all mixed together.

This is what I mean when I say the baraat isn't just an entrance, it's a union. Got a Sikh ceremony or baraat coming up? DM us — we'd love to be there for these moments.
Before the shabad even begins, this is the moment I always watch for — the elders, barefoot on the path to the Gurdwara, hands clasped the exact same way without even realizing it. There's a quiet conversation happening here that isn't for the camera, it's just two family elders settling into the weight and joy of the day ahead.

Twenty years of shooting Sikh weddings and I still catch my breath at moments like this. The crisp white, the navy turbans, the stillness before the ceremony gets loud with music and blessings — it's my favorite kind of photo because it's the one families didn't know they needed until they see it. Tell me, whose dad or uncle does this remind you of? 👇
Before Alekhya and Amar even stepped in for their Anand Karaj, this was happening outside the Sikh Foundation of Virginia — guests barefoot, phones up, waiting for the doors to open. I love this little moment because it's not posed, it's not the 'main event,' but it tells you everything about how much this day mattered to everyone standing there. Someone's filming for a grandparent who couldn't make the trip. Someone's just excited. That's the stuff I'm always watching for.

The colors alone — dusty lavender next to coral next to crimson — guests don't usually think about how beautifully they're dressing for each other, but they are.

If you're planning a Sikh or Punjabi wedding and want someone who notices these in-between moments, not just the ceremony itself, let's talk. DM us or book a consultation.