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2/2 Alexandra and Karan – Beautiful Sikh Wedding Ceremony – Sikh Foundation of Virginia

Sikh wedding Ceremonies in America come in all colors; however, the script for the Sikh weddings does not change, nor does it vary. Just like in the Catholic faith, the process is methodic in terms. Of not deviating from the script. This could possibly be one of the reasons we enjoy photographing the Sikh weddings that we are hired to document.

Alex and Karan‘s wedding was beautifully executed with the assistance of wedding planner Neeva Mathur of Project Bride DC. Prior to their wedding day, Alex and Karan kicked off their wedding celebrations with their Sangeet at the Westfields Golf Club in Clifton, Virginia, enjoying family and friends’ company. Their wedding day began at one of our favorite hotels to shoot at in the Northern Virginia area called the Hilton McLean Tysons Corner because of their small garden off their ballroom side area and the blossoms in the front of the hotel in the earlier part of spring.

Upon starting all our events, we like to take a few moments to comb through and gather the getting ready details like clothing, jewelry, and shoes to photograph each little detail shared as part of each of our couple’s stories. Part of the fun is seeing how each couple mixes up their taste and style of rings, given it’s one of your “forever” pieces of jewelry.   

Alex and Karan’s amazing Sangeet photos can be viewed here. Enjoy looking through their color sangeet photos.

Wedding Vendors

Wedding PlannersProject Bride DC, Neeva 
Sikh Ceremony LocationSikh Foundation of Virginia 
7250 Ox Rd, Fairfax Station, VA
CatererJaipur Royal Indian Cuisine
Hair & Make-upSuman Khosla
HennaShazia
DecoratorPrabha
PhotographerRegeti’s, Amy Regeti
CinematographerChasing Light, Jeana
Dholki DJDC’s Dynasty, Ravi
Westfields Golf Club CoordinatorAshley Clarkin
RentalsSammy’s Rental
Dance Floor WrapKundan Events

A few favorite images from the wedding


Wedding Rings
Wedding Rings
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A great insider tip to our Indian bride’s wearing large posted and heavy jewelry on their ears is oftern to take a few motrin before they head out to begin their wedding photos because the common complaint upon many is the fact that their ears tend to hurt from the weight and they develop heaadaches due to the posts stretching their lobes. As crazy as this may sound it is very true, so make that Motrin X2! 
Wedding Jewellery
Wedding Jewellery
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Favorite of all Sikh brides details to photograph are her kalire, personally I just love the detail in them. It is typical to see the bride’s sisters and friends tie the kalire to her chooda (bangles). They are golden or silver in colour and will typically vary in quality as some wear them and post ceremony will shake them vigorously above the heads of the unmarried ladies as they sit in hope that few pieces will come off and signify that perhaps they are next in line to be married. The significance of the kalire is to provide good wished to the brinde and remind her of the cousins and friends who she will be leaving behind as she moves into the responsibilities of her married life.
Wedding Jewellery
Wedding Jewellery
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The chooda/chura/choora, is usually red and white; sometimes the red bangles are replaced with another color, but they are usually only two colours. They were traditionally made of ivory, with varying inlay work, though now usually very commonly found to be made with plastic. Traditionally there are 21 bangles that would be worn on each arm although more recently the bride often wears 7, 9 or 11 bangles. The bangles range in size according to the circumference of the top of the forearm and the end of the wrist so that each set fits neatly on each arm.
Wedding Bangles
Wedding Bangles
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Bridal shoes come in all sorts of sizes, colors and preferences but one thing for sure in most of our weddings is that they are not worn for that long as they are typically left to the front of the mandap, outside of the temple, gurdwara or ballroom. 
Wedding Shoes
Wedding Shoes
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Wedding Dress Design
Wedding Dress Design
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Our Sikh groom’s will often have their turban tied by an elder or a professional turban tying expert such as the amazing and talented Gurdeep from Pagh Life however our Hindu groom’s will typically preorder and purchase their turbans should they choose to wear them pretied. 
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Bride Getting Ready
Bride Getting Ready
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A sword is an essential part of Sikhism and marriage is one of the most important ceremony’s in ones life. Performing that ceremony without the essential part (sword) of ones religion is considered to be sacrilege to the religion. Every Sikh groom while marrying keep’s a sword in his hands and complete’s the process of marriage. Not only the Sikh’s but the Rajput’s also do the same.



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The bridal choora is given to the bride by her maternal uncles and they put the bangles on the bride’s hands. The bride has a choice in the design and helps selecting the size. The choora ceremony is held on the morning on the wedding day or a day before.
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Chuda Ceremony
Chuda Ceremony
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Bride and Groom First Look
Bride and Groom First Look
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Wedding Details
Wedding Details
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The act of tying the sehra around the groom’s head right before he leaves for the bride’s house is called “Sehra Bandi”. Typically the groom’s sisters, female cousins, Bhabhi or sister-in-law are the essential performers of Sehra Bandi. In the case of multiple sisters or female relatives, each woman takes a turn to perform the ritual one by one. While carrying out this whole custom, all the women sing traditional wedding songs. Usually, women in the family perform the ritual in a hierarchical order based on the relation with the groom. For example, it begins with the groom’s mother, the oldest sister, younger sister, oldest sister-in-law and so on.
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Wedding Baraat
Wedding Baraat
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Baraat is a groom’s wedding procession in India and Pakistan. In Indian communities, it is customary for the bridegroom to travel to the wedding venue on a mare, accompanied by his family members. The baraat can become a large procession, with booking its own band, dancers, and budget.
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Anand Karaj means “ceremony of joy” and takes place in the gurdwara, a Sikh place of worship. It entails singing from Guru Granth Sahib. Members of the family or congregation will be invited to select shabads, or religious music, from the scripture to share with the community. The ceremony is rooted in kirtan, which are sung recitations of shabads. With today’s technology, wedding parties will often have an overview of what is happening in English or scripture translated in English. It’s a nice way for people who are attending the ceremony to have a sense of what’s going on and be active participants in the program.
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In Sikhism, a langar is the community kitchen of a gurdwara, which serves meals to all free of charge, regardless of religion, caste, gender, economic status, or ethnicity. People typically will sit on the floor and eat lunch together, and the kitchen is maintained and serviced by the Sikh community volunteers. However, some do choose to have this outside the Gurdwara and catered given the size and complexity. 
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Vidaai marks the departure of the bride from her parental house. As a custom, the bride throws phulian or puffed rice over her head. The ritual conveys her good wishes for her parents. A traditionally sad ritual, here the bride says goodbye to her parents, siblings and rest of her family. Her brothers/male cousins then lead her to her husband, who waits to take her to his family home to begin her new life as a married woman. Her relatives throw coins in the wake of this procession.

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This image was photographed by The Regeti's and is a Copyrighted Image

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Cameras and Lenses used

NIKON Z 6( NIKON CORPORATION )
NIKON Z 6_2 ( NIKON CORPORATION )

NIKKOR Z 35mm f/1.8 S ( NIKON CORPORATION )
NIKKOR Z 50mm f/1.8 S ( NIKON CORPORATION )
NIKKOR Z 70-200mm f/2.8 VR S ( NIKON CORPORATION )
Nikon AF-S NIKKOR 24-70mm f/2.8E ED VR ( NIKON CORPORATION )
Nikon AF-S NIKKOR 70-200mm f/2.8G ED VR II ( NIKON CORPORATION )
Nikon AF-S NIKKOR 85mm f/1.4G ( NIKON CORPORATION )
Nikon AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED ( NIKON CORPORATION )

 

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That hug right before Alekhya walks out the door. This is Vidai — the moment a bride leaves her parents' home as a daughter and steps into her new life. I've photographed hundreds of these and they never get easier to watch. Look at her uncle's face in the background, trying so hard to hold it together. That's the whole wedding in one frame, honestly.

If you're planning a celebration with moments like this one, I'd love to be the one documenting them for you. Drop a comment or DM us to chat about your date.
That look she's giving him right there? That's not a 'pose for the camera' look. That's a 'I can't believe this is actually happening' look. We caught it walking down a path at the Sikh Foundation of Virginia, surrounded by trees, before all the ceremony chaos even started.

The details here are everything — his red turban matching her dupatta, that maroon stole with the tassels swinging as they walked, her nath catching the light. This is the kind of in-between moment we live for, the one nobody choreographs. Tell us in the comments what detail catches your eye first, and if you're planning a Sikh or Punjabi wedding, DM us — we'd love to talk through your day.
That half-second before the twirl settles — Alekhya's lehenga still mid-spin, and Amar just... watching her. Not posing, not performing for the camera. Just watching his new wife catch the evening light in red and gold.

This is why we always build in time for portraits. The ceremony is beautiful, but moments like this — quiet, unscripted, a little giddy. 

Planning a Sikh ceremony and want photos that feel like this? Drop a comment or DM us — we'd love to hear about your day.
There's a reason we always try to get this angle during an Anand Karaj — shooting from behind the Guru Granth Sahib, with the granthi in the frame, so you see exactly what the couple sees: the entire sangat, seated together, witnessing. Alekhya and Amar are mid-Laav here, the moment where the groom leads and the bride follows around the Guru Granth Sahib, four times, each round a vow. You can feel the room's attention even in a still photo.

This is why we love photographing Sikh weddings — the symbolism is so visual and so intentional. Thinking about a Sikh ceremony for your own wedding? Send us a DM, we'd love to talk through how we'd cover it.
Everyone faces forward during an Anand Karaj — toward the Guru Granth Sahib, toward the moment being witnessed — so some of the most beautiful details happen in the one direction no one else is looking. That embroidery on the back of Alekhya's lehenga? Most of the room never saw it like this. We did.

There's something about photographing from behind the couple during a Sikh ceremony — you catch the whole sangat, the colors, the stillness of people sitting shoulder to shoulder in prayer. It's a different kind of portrait. Quieter. Bigger than just the two of them.

Planning a Sikh or Punjabi wedding and want a team that knows the ceremony flow, not just the aesthetics? Drop a comment or DM us — let's talk.
This is the moment everyone's eyes skip right past because they're waiting for the big kiss or the garland exchange, won't be happening here folks!— but this is still the good stuff. The palla draped and placed in the bride's hand, her chuda bangles catching the light. It's such a small gesture, but it's literally the moment she takes hold of the journey they're starting together.

At Sikh ceremonies we always tell couples: don't rush the hands. The jewelry, the fabric, the grip — it all tells a story the wide shot can't. Alekhya and Amar's ceremony at the Sikh Foundation of Virginia was full of these in-between moments, and I'm so glad we caught this one.

Planning a Sikh or Punjabi ceremony and want a photographer who knows to watch for the small stuff? Drop a comment or send us a DM — we'd love to talk through your day.
Given that Alekhya's father is no longer with us, her mother instead gently places the other end of the Palla, into the cupped hands of the bride. Alekhya, eyes down, soaking in the quiet before everything became official, while her new father-in-law watched the whole thing unfold with the kind of smile you can't fake.

This is what we love about shooting Sikh ceremonies — the formality of the moment never erases the small, human gestures happening right alongside it. We're always watching for these in-between beats because years from now, this is the photo that gets pointed at first.

Want moments like this from your own ceremony? Drop a comment or send us a DM — we'd love to hear about your wedding.
There's a moment right before the words come out — eyes closed, hand lifted, like he's reaching for the note before it exists yet. This ragi was leading shabad kirtan at Alekhya and Amar's Sikh wedding ceremony, and I love how you can see the tabla player's hand already waiting, perfectly in sync, like they've done this a thousand times together (they probably have).

This is the part of a wedding day people don't always think to document — not the couple, not the decor, but the musicians who carry the entire spiritual weight of the ceremony on their voices. You can see decades of practice in that harmonium, worn smooth at the keys. That's not something you stage. That's something you notice.

If you're planning a Sikh ceremony and want a photographer who understands the significance of these quieter moments — not just the big ones — let's talk. Drop a comment or send us a DM.
That look. Right in the middle of the ceremony, surrounded by family, and Amar still can't help but grin at Alekhya like no one else is in the room. We caught this at the Sikh Foundation of Virginia, and moments like this are exactly why we never put the cameras down during the ceremony — the real stuff happens in the glances, not just the rituals.

Sikh wedding ceremonies have such a beautiful rhythm to them, the quiet focus, the hymns, and then these little bursts of pure joy between the couple. We live for catching both.

Planning a Sikh or Punjabi wedding and want a team that knows the flow of the ceremony? Drop us a comment or DM — let's talk.

#SouthAsianWeddings #IndianWeddings #WeddingPhotographersInVirginia #IndianWeddingPhotographersInVirginia #SikhWedding #PunjabiWedding #SouthAsianWedding #DesiWedding #IndianWeddingPhotography #RegetisPhotography #WeddingPhotography
This is the kind of moment you have to be watching for — not posed, not repeated. Amar kneeling before the Guru Granth Sahib, kirpan in hand, the whole room holding its breath for a second. The maroon turban against that cream sherwani, the flowers banking the altar like they're standing guard too.

These quiet, reverent seconds inside a Sikh ceremony are some of my favorite to photograph — there's so much weight and history in them that you can't fake. Planning a Sikh wedding and want someone who knows how to catch these moments without getting in the way? Send us a DM, we'd love to talk.
The room is empty, the guests haven't arrived yet, and these little gold baskets are already doing their job, hold the Karah Parshad which is handed out to attendees - it is much more than just a dessert; it embodies the core principles of Sikhism. This is the kind of detail I find myself photographing before anyone else even walks in — because the care put into a Sikh wedding goes so far beyond the ceremony itself. At the Sikh Foundation of Virginia, hospitality isn't an afterthought, it's woven into everything, right down to how the napkins are set out.

These are the moments that remind me why I show up early to every wedding. Want us there for yours from the very first detail? Send us a DM or book a consult — link in bio.
Before the shabad even starts, there's this moment of quiet — flowers arranged just so, everyone finding their seats, the whole room settling into what's about to happen. These blush roses were part of Alekhya and Amar's day at the Sikh Foundation of Virginia, and I always make a point to slow down and capture the details like this before the ceremony energy picks up. They matter just as much as the big moments.

If you're planning a Sikh ceremony and want a photographer who understands the flow of the Anand Karaj — from the quiet setup to the joy after — let's talk. Send us a DM or book a consultation through the link in our bio.
Some of my favorite frames from a wedding day aren't the big moments — they're the quiet textures in between. This soft white fringe falling across hand-embroidered paisley fabric, caught during Alekhya and Amar's Sikh ceremony, is the kind of detail most people don't really give a second thought too, Chaur Sahib, the ceremonial whisk. But it tells its own story: generations of craftsmanship, layers of tradition, and their Rumala Sahib, one of the little things that make their wedding day feel truly theirs.

If you're planning a wedding and want a photographer who notices the details as much as the big moments, let's chat — drop a comment or send us a DM!
I always tell couples — look up. The ceiling details at ceremonies like this one are never an afterthought, and this cluster of gold and pearl tassels hanging from the canopy at Alekhya and Amar's Sikh wedding was one of those small moments I couldn't walk past without photographing. Every strand catching the light a little differently, swaying so slightly you'd miss it if you weren't paying attention.

This is the kind of detail that gets lost in the rush of a wedding day but means everything when you look back years later and remember exactly where you were standing. Got a ceremony space full of details like this? Tell me about it in the comments, or DM me to chat about your date.
That moment right before the ceremony even starts, when two families fold into one. The dhol is still going in the background, the garlands haven't even settled yet, and these two are just... holding on. You can tell there is a bit of happiness in this union — this isn't a polite greeting, this is relief and joy all mixed together.

This is what I mean when I say the baraat isn't just an entrance, it's a union. Got a Sikh ceremony or baraat coming up? DM us — we'd love to be there for these moments.
Before the shabad even begins, this is the moment I always watch for — the elders, barefoot on the path to the Gurdwara, hands clasped the exact same way without even realizing it. There's a quiet conversation happening here that isn't for the camera, it's just two family elders settling into the weight and joy of the day ahead.

Twenty years of shooting Sikh weddings and I still catch my breath at moments like this. The crisp white, the navy turbans, the stillness before the ceremony gets loud with music and blessings — it's my favorite kind of photo because it's the one families didn't know they needed until they see it. Tell me, whose dad or uncle does this remind you of? 👇
Before Alekhya and Amar even stepped in for their Anand Karaj, this was happening outside the Sikh Foundation of Virginia — guests barefoot, phones up, waiting for the doors to open. I love this little moment because it's not posed, it's not the 'main event,' but it tells you everything about how much this day mattered to everyone standing there. Someone's filming for a grandparent who couldn't make the trip. Someone's just excited. That's the stuff I'm always watching for.

The colors alone — dusty lavender next to coral next to crimson — guests don't usually think about how beautifully they're dressing for each other, but they are.

If you're planning a Sikh or Punjabi wedding and want someone who notices these in-between moments, not just the ceremony itself, let's talk. DM us or book a consultation.