
The Team
- Caterer — Bollywood Bistro — @bollywood_bistro
- Dhol Player — GANESH JAGTAP LIVE MUSIC — @ganeshjagtap4866
- Hair & Makeup — Afra — @makeupbyaafra
- Mehndhi/Henna — Sravani — @hennabysravani
- Photographer — Regeti's Photography — @theregetis
- Venue — Top of the Town — @topofthetown_dc
- Videographer — The Paperboys
Set a camera down in front of a Hindu wedding puja tray anywhere in Virginia, Maryland or DC, the world even and you will find some version of this: a copper kalash wrapped in red cloth, coconuts still in their husks, bananas, rolled coins, folded leaves, small plastic packets of thread and sweets. To someone walking by, it can look like a still life. To us, after twenty years of standing beside these trays, it reads more like a sentence written in objects.
Why do these objects matter more than they seem to?
Every item on a tray like this one is there on purpose. The kalash is not simply a vessel — it is associated with life, prosperity and divine presence, and its placement is often specific to the moment in the ceremony it will be used. The coconut is one of the most recognized offerings in Hindu ritual, and the bananas beside it are not a snack table, they are a symbol of abundance and nourishment for the couple beginning a life together.
Even the smaller things carry weight. The coin rolls, the black thread tucked into a plastic sleeve, the gold jewelry resting on a betel leaf — these are frequently part of specific rites tied to blessings, protection or prosperity, and a priest or an elder in the family will know exactly when each one is meant to be lifted, offered or tied.
Why the same tray can look different at every wedding
This is the part people are often surprised by: there is no single Hindu wedding ceremony. What appears on a puja tray, and what it means, shifts by region, by community, and by the family’s own tradition. We saw this directly at Shatakshi and Madhu’s wedding at The Omni Homestead Resort, where a Bihari tradition and a Telugu tradition were woven into one ceremony, each bringing its own objects and its own sequence to the same day.
That is why we never treat a ritual setup as a generic prop shot. We ask, quietly, what a particular object is for and when it will be used, because getting that wrong in the moment means missing the photograph that actually matters to the family.
What this means for how we photograph a wedding day
Photographing these objects well means being present before the ceremony starts, not just during the visually obvious parts of it. It means noticing the tray being assembled in a side room, watching an aunt arrange the leaves just so, and understanding that the sequence in which items are used is often as considered as the vows themselves.
We saw a version of this attentiveness pay off at Isha and Kevin’s wedding, where a mother adjusting bangles minutes before the mandap turned out to be one of the photographs the family returned to again and again. Nobody staged that moment. It happened because we were already watching for it.
Why we believe this groundwork starts before the wedding
This same instinct — paying attention to the small, easily missed moments — is part of why we talk with every couple about doing an engagement session first. It is not really about the extra photographs. It is about the two of us learning how a couple and their family move together, so that on the wedding day, when a tray is being prepared or a thread is being tied, we already know where to be. We explain more of that thinking in Why We Encourage Every Couple to Have an Engagement Session.
A photograph that seems small can still be the one that matters most
Years from now, a couple may not remember every object that sat on their puja tray. But a grandmother will remember tying that thread. A mother will remember which coconut she chose. And when they see the photograph again, what they will feel is not decoration. It will be the weight of a ritual their family has carried forward, documented the way it actually happened.
That is the part we are always trying to get right — not the arrangement of coconuts and bananas on a silver tray, but the story those objects are quietly telling about the people gathered around them.
More from the blog
- Suparna and Sumanth’s Engagement Session at the Jefferson Memorial
- Aditi and Connal’s Engagement Session: When Glenstone Said No and the Morning Said Yes
- Why We Encourage Every Couple to Have an Engagement Session
- Shatakshi and Madhu’s Wedding at The Omni Homestead Resort: A Bihari-Telugu Celebration
- Shatakshi and Madhu’s Sangeet Night at The Omni Homestead Resort
- Kavya and Kyle’s Wedding at Stonewall Golf Club: A Lesson in Teamwork and Timing
- Anjali and Eric’s Sunrise Engagement Session in Occoquan, Virginia
- Isha and Kevin’s Wedding: The Beer Bicycle, the Bangles, and the Post in the Ground

